|
I've been listening to AFI for a few years now, but I've never gotten into them enough to buy one of their albums. "Black Sails In The Sunset" impressed me more than any other, but that was held at computer listening; I didn't feel like I needed to dish out the money to listen to a few songs that I really enjoyed. Upon my first listen of "Sing The Sorrow," I thought it was headed down the same path, as only a few songs really appealed to me. Then I heard that Target was selling the album for just 5.99, and I couldn't resist, so I finally got my first AFI album.
Luckily enough, "Sing The Sorrow" completely grew on me within a few days. The band's major label debut will, without a doubt, not satisfy a solid portion of long-time AFI fans. Beginning with a common AFI introductory track, the band opens things up with a dark, keyboard and drum driven song, filled with loads of gang shouts that have been characterized by AFI. While the opening track may be acceptable to long-time fans, the follower, "The Leaving Song Part 2" shows that AFI really has changed. Most notable of changes is the fact that AFI has toned down the general ferociousness found in their previous albums, and replaced it with a newfound sense of tasteful exploration and innovation. The always-distinguishable voice of Davey Havok isn't nearly as abrasive as it has been in the past, thanks to solid melodies, an increased range, and backing vocals, and the percussive assault has been toned down to a more mid-paced feel.
Of course, gigantic sounding choruses are still plentiful, and some songs really do drive at blazing speeds. "Bleed Black" is the first upbeat track to grace listener's ears, while "Dancing Through Sunday" and "Death Of Seasons" are truly reminiscent of the AFI of old. Electronics make some entertaining appearances on "Sing The Sorrow," especially the drum and bass interlude during "Death Of Seasons" -- I can't resist dancing whenever it comes on. Many of the songs on "Sing The Sorrow" are surprisingly catchy, and the choruses of "Bleed Black," "Dancing Through Sunday," and "Girls Not Grey" have been stuck in my head since the first listen. While the faster tunes add much variety, I can't forget to mention the slower, more dynamic songs. The guitar and vocals only "The Leaving Song" sends chills up and down my spine during every listen, while "Silver And Cold" provides appreciated breathing room and a relaxed pace.
AFI has progressed so much since their early days. It's actually quite amazing to compare their older music to "Sing The Sorrow," but surely, the changes won't be appreciated by all. As for me, though, "Sing The Sorrow" is the best AFI album on the market. With a few listens, I'm pretty sure that this album can grow on most people. Check this out with an open mind, and don't give a fuck about what anyone else says.
|
